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Song and Dance Man III: The Art of Bob Dylan, by Michael Gray
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This third edition provides a definitive retrospective appraisal of almost 40 years of work by one of the 20th century's most significant artists. The author provides, in this new edition, fresh material and analysis. The material both updates the book through 1999 and offers major new studies of Dylan's entire oeuvre: notably a vast study of Dylan's use of the huge body of pre-war blues lyric poetry, a major chapter on his adept and knowledgable use of nursery rhyme and a substantial scrutiny of Dylan's prolific use of the Bible. The album-by-album guide has been updated and extended.
- Sales Rank: #2740183 in Books
- Published on: 2001-04-15
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 1.70" h x 6.56" w x 9.60" l,
- Binding: Paperback
- 800 pages
Review
"...engaging, intellectual discussion of the passion, pain, trends that have poured out of Dylan through over 250 recordings..." -- The Bloomsbury Review, November/December 2001
'A startling piece of scholarship...a frank, insightful, unassailably excellent resource for those searching for challenging Dylanology." -- Austin Chronicle, July 20, 2001
“Cranky, eloquent, opinionated, exhaustive, Gray’s book proves that scholarship can be fun to read…." -- The News & Observer
About the Author
MICHAEL GRAY is a distinguished critic, writer &broadcaster. He graduated in History &English Literature at York University, England, in the 1960s, where he studied under the controversial, brilliant critic Professor F. R. Leavis, and where as a student journalist he interviewed, among others, the eminent British historian A. J. P. Taylor and the legendary American guitarist Jimi Hendrix. His pioneering study of Bob Dylan's work, Song &Dance Man, first published in the 1970s in Britain, America and Japan, was the first full-length critical study of this crucial 20th Century cultural figure. It is now recognised as a classic in its field. A selection of pieces on Dylan, All Across The Telegraph: A Bob Dylan Handbook, published in 1987, was co-edited by Gray and included work by several distinguished academics in the fields of English &American Literature and Music. In 1996, Michael Gray co-authored The Elvis Atlas: A Journey Through Elvis Presley's America, published in hardback in New York by Henry Holt. The massive Song &Dance Man III: The Art of Bob Dylan was published by Continuum in March 2000. A special reprint appeared in the US in April 2001, when Gray delivered talks at a number of US universities; a fourth reprint was published in New York and London in 2002 and a fifth in 2004. Michael Gray is recognised as a world authority on the work of Bob Dylan and is an expert on rock'n'roll history and the blues, with a special interest in pre-war blues. Please visit his blog at http://bobdylanencyclopedia.blogspot.com.
Most helpful customer reviews
27 of 27 people found the following review helpful.
Song & Dance Man 3 - The Art of Bob Dylan
By P. Teece
A great book. Erudite AND entertaining. Perhaps its finest quality is its integrity: it makes a compelling case for Dylan's genius, while simultaneously avoiding the hagiography which so bedevils much adoring work on Bob. In other words, it has real critical balance. The latter section on the ageing Bob is almost painfully honest and realistic...but the book is all the better for it. The 100-odd page chapter on Dylan's use of, and homage to, pre war blues lyrics is 'worth the price' on its own. And the terrific use of footnotes in this section makes the work a bit like the acquisition of that first bootleg album - you might think you're just dipping a toe in the water, but before you know it you've plunged right in...and you'll never get out. The section on nursery rhyme is especially intriguing. And the excellent analysis of biblical sources is good enough to make all but the most bigoted fans open their ears [and minds] to this fundamental element of Dylan's inspiration. Given its immense size, there must presumably be the odd error in it, but few show [wasn't it Liam Clancy who Bob described as the best ever ballad singer, and not Tommy Makem, by the way?]. Song & Dance Man 3 seems likely to be as useful ten years on as it is fascinating on the very first read. It will be on [and off] my bookshelves for a very long time.
0 of 1 people found the following review helpful.
times change Dylan stays the same
By Joy Olree
How could anyone if they are honest say anything nagetive about a book about Dylan. Christ he just got a pulitizer dosen't that say it all. Even if I was not a fan, Even if I had never heard of Dylan,{ if that was possible}I would have to say that the book is well worth the time and money spent.
16 of 16 people found the following review helpful.
a delightful labyrinth
By A Customer
This is a great book. It looks more daunting than it should, because of the size and the lenghty footnotes. M. Gray made an interesting choice when he decided to keep the first chapters as they had been published earlier rather than rewrite them, and they are less rewarding than the more recent work. But it is another sense illuminating, since they give us a way of understanding the evolution of Gray's reading of Dylan. It is in many ways a multi-layered book, so it is only fair that we get the first layers as they were written. By the way, the new chapters illuminate not only Dylan's more recent work, but also the 60's and 70's, specially the long and fascinating chapter on the blues.
Despite Gray's more severe views on Dylan's recent work, nobody to my knowledge has made a stronger case for Dylan being the greatest songwriter of the age, even if one takes into account ONLY his work of the 80's and 90's (yes, even if you forget "Desolation Row" and "Tangled up in Blue", and all the others). One of the delights of the book is the in-depth analysis of the use of nursery rhymes and fairy tales in the much-maligned and wonderful "Under the Red Sky". This book promises to be a lasting and rewarding reading.
There are pages that, in my view, could have been omitted -- some cheap shots against other leading Dylanologists, some too lenghty attacks against the show-biz world. There are, of course, cases where I don't agree with Gray's judgement. More importantly, there is a general messiness about the book. I find it somewhat annoying, but I like it too: it is maybe a kind of mirror image of Dylan's own messiness and lack of perfectionnism, that is inseparable from his genius. This book is erudite and academic on the one hand, and on the other it is lively, fun, and highly personal. It is the first analysis of Dylan's work to do justice to its awesome richness and complexity. This book is a labyrinth, where it is delightful to get lost, and then to find oneself. I can't wait for the next edition, which in all likelihood will be 2500 pages long.
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