Ebook True Adventures with the King of Bluegrass: Jimmy Martin, by Tom Piazza
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True Adventures with the King of Bluegrass: Jimmy Martin, by Tom Piazza
Ebook True Adventures with the King of Bluegrass: Jimmy Martin, by Tom Piazza
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Jimmy Martin was just twenty-two years old when Bill Monroe asked him to join the Blue Grass Boys. That invitation was the start of a career that spanned half a century and culminated with Martin’s induction into the International Bluegrass Music Association’s Hall of Honor. Always an enigmatic figure, Martin was as famous for his temper as he was for his talent.
On assignment from the Oxford American magazine, fiction writer and music critic Tom Piazza drove from his home in New Orleans to Nashville to interview Martin and found himself pitched headlong into a world he couldn’t have anticipated. Martin’s mercurial personality drew the writer into a series of escalating encounters (with mean dogs, broken-down cars, and near electrocution), culminating in a harrowing and unforgettable expedition, with Martin, to the Grand Ole Opry.
Though, or perhaps because, visits to the Opry like the one Piazza recounts were common for Martin, and though he frequently played on its stage and always hoped to become a member, he died before seeing his dream fulfilled. True Adventures with the King of Bluegrass is the funny, scary, and powerfully poignant portrait of one of the legends of American music.
Co-published with the Country Music Foundation Press
- Sales Rank: #1087572 in Books
- Published on: 2009-09-18
- Released on: 2009-08-31
- Original language: English
- Number of items: 1
- Dimensions: 7.20" h x .40" w x 5.00" l, .20 pounds
- Binding: Paperback
- 112 pages
Review
...one of the most engaging, revealing, funny and sad books ever written about a Nashville musician.
--The Tennessean
Tom Piazza unlocks the back door of bluegrass in his three-hundred-and-sixty-degree portrait of Jimmy Martin's tragic genius. Step inside--it's a fascinating, scary world, and you'll never be the same again.
--Tim O'Brien
Baptized in the same fire that gave us Little Richard and Jerry Lee Lewis, this reigning King of Bluegrass [Jimmy Martin] is no doubt a charter member of the elite fraternity of southern musicians that helped forge what the world now knows as bluegrass, rockabilly, country, and rock 'n' roll music. ... Time spent with the King of Bluegrass is not for the lily-livered or the faint of heart.
--Marty Stuart, from the Foreword
About the Author
Tom Piazza's writing on American music has appeared in the Sunday New York Times, The Atlantic Monthly, The New Republic, and The Village Voice. He is the author of The Guide to Classic Recorded Jazz (University of Iowa Press), which won the ASCAP-Deems Taylor award for music writing, and Blues and Trouble (St. Martin's Press), which won a James Michener award for fiction. He lives in New Orleans and is working on a novel.
Excerpt. © Reprinted by permission. All rights reserved.
"Somewhere along the way, moonshine and dynamite collided. The result is the musical genius and three-chord scholar named Jimmy Martin. Baptized in the same fire that gave us Little Richard and Jerry Lee Lewis, this reigning King of Bluegrass is no doubt a charter member of the elite fraternity of southern musicians that helped forge what the world now knows as bluegrass, rockabilly, country, and rock 'n' roll music. . . . He's part preacher, part prophet, and a card carrying madman who is completely filled with the musical holy ghost. Time spent with the King of Bluegrass is not for the lily-livered or the faint of heart."-Marty Stuart, from the Foreword
Most helpful customer reviews
5 of 5 people found the following review helpful.
Best Bluegrass Biographical Piece Ever!
By plfmud
Tom Piazza has captured Jimmy Martin to a T! This story was originally published in the Oxford American and was copied over and over by bluegrass fans and mailed all over the world. It was such an underground hit that it was published in book form along with some additional musings by the author. Piazza recounts a visit he and Martin made backstage at the Grand Ole Opry. It's the kind of thing you will never read in Bluegrass Unlimited. It is just too real! If you've ever seen Jimmy in person, you know what an outreageous character he is, and you'll love this book. Don't miss it.
4 of 4 people found the following review helpful.
A Snapshot of the King of Bluegrass
By Mark J. Fowler
Tom Piazza has written a piece which captures with photographic detail several hours spent in the company of the Mad 3-chord Genius (as Marty Stuart writes in his forward) and Self-Proclaimed King of Bluegrass, Jimmy Martin. This "book" is essentially a fleshed out magazine article, but it's a good one. Less than 100 pages and written in a style that moves right along while giving you a "you are there" first person sense, it's an enlightening way to pass an hour or two.
Mr. Piazza has a keen and insightful sense of Jimmy Martin's musical genius and place in Bluegrass History, and to me the most poignant moments in the book are when the writer is moving to shield or protect the intoxicated, loud-mouthed King of Bluegrass from injuring his already mussed reputation. As he observes, much of what makes Jimmy Martin "great" also dooms him to the edges of the limelight and that Grand Ol' Opry Membership that Jimmy Martin yearns for so badly will likely never happen, exactly for the reason of his unwillingness to back down or compromise.
This isn't a "biography" so much as a thumbnail sketch of who Jimmy Martin is framed in a skillful depiction of a few volatile hours spent with a prime example of the "Tortured Artist".
I can't help but wonder if a well-written first-person account of a weekend spent with Van Gogh would have been eerily similar.
4 of 4 people found the following review helpful.
A great, albeit quick, read!
By Megan Romer
I'm so tired of music biographies where the subject is either villainized or practically canonized; none of us are perfect saints, nor are we completely evil. That's why I always find it refreshing when a writer presents the true person, most of whom are a little of both. Piazza has done that here.
Martin is something of a tragic figure; a mad genius. In candid interviews, Piazza has found all the good in the man, as well as peeled back some of the bad. He shows that if Martin had been born in another era, or been a king of another genre, he would have been a hero, but in the holier-than-thou bluegrass scene, the hard-living Martin was considered something of a black sheep, despite his obvious brilliance.
This is a great book, and definitely one of the best music biographies ever written.
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