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Centered on the former slaving port of Ouidah, Benin, Dana Rush's research extends through Togo to Ghana, a region where exchanges of histories, ideas, and belief systems are given material forms. This is a land where Shango, Jesus, and the Buddha are all gods of Vodun; where Hindu and Vodun deities co-exist in symbiosis; where the spirits of people enslaved 150 years ago are paid tribute by the children of their long-lost masters; and where Haitian, Brazilian, and Cuban images, artists, and spirits remain relevant to contemporary West African practices.
The book is richly illustrated with color photographs of Vodun shrines, temple wall paintings, masquerades, and Hindu chromolithographs.
This book is the first publication in a new series called "Critical Investigations of the African Diaspora." The series grows out of Issues in Critical Investigation, a Vanderbilt initiative to assist junior scholars through critical feedback from senior faculty, annual symposia, and prize competitions in the humanities and social sciences. Dana Rush's Vodun in Coastal Benin is the winner of the inaugural Anna Julia Cooper Prize in the Humanities.
- Sales Rank: #1416764 in Books
- Published on: 2013-11-15
- Original language: English
- Number of items: 1
- Dimensions: 10.25" h x 7.25" w x 1.00" l, 1.70 pounds
- Binding: Hardcover
- 224 pages
Review
"Highly recommended."
--Choice
"With her description and critical analyses of Vodun, Dana Rush reveals the art and philosophy of a religious culture that has become the dominant aesthetic for the Black Atlantic world, from Ouidah to Port-au-Prince to South Central L.A. Rush's book will become a standard reference on Vodun/Vodou/Voodoo".
--Donald Cosentino, Professor, World Arts and Cultures, UCLA, and Curator, "In Extremis: Death and Life in 21st Century Haitian Art"
"Rush constructs an elegant and convincing theoretical framework . . . supported by extensive ethnographic work in multiple sites. A rich and nuanced contribution to the literature on global Vodun in all its manifestations--from India to Brazil and the Caribbean, along with insights into slavery and its meanings in the Atlantic world--this book will be of great interest to students and practitioners of African-derived religions in Africa, the Caribbean, South America, and even North America. In this work Rush paradoxically moves us closer to understanding that which, she argues compellingly, cannot be understood".
--Edna G. Bay, Professor of Interdisciplinary and African Studies, Emory University, and author of Asen, Ancestors, and Vodun: Tracing Change in African Art
From the Inside Flap
Understanding Vodun's cultural synthesis as an unfinished aesthetic that emphasizes process over product and efficacy over beauty
About the Author
Dana Rush, a Research Affiliate in the Center for African Studies at the University of Illinois, is a consulting editor for African Arts and serves on the advisory board of Material Religion: The Journal of Objects, Art, and Belief.
Most helpful customer reviews
7 of 7 people found the following review helpful.
A terrific take on can't-sit-still cultural dynamism
By Allen F. Roberts
Vodun is difficult to pin down long enough to describe, yet Dana Rush manages to do so without flattening the adaptive energies of these vital practices. Her work is based upon long and patient research in the Republic of Benin and Togo, and is fascinating for its insights into practices that flourish in coastal west Africa as well as throughout the Black Atlantic where they were introduced via the transatlantic slave trade. As valuable is Dr. Rush's innovative methodology that will be of distinct value to any who hope to conduct research or simply know how to approach dynamic religions anywhere in the world.
3 of 3 people found the following review helpful.
Invaluable. Challenges views that Vodun (and Africa) are unchanging artifacts.
By nsomniasaum
This book is about tradition and transition within Vodun: Rush illustrates that as communities change, their ritual practice and spiritual understanding also adapts. Vodun is ancient, and many threads of tradition are also very ancient, but Rush shows that Vodou (and Africa) are not located in some unchanging, prehistoric state. Vodun is not presented as an artifact. It is dynamic, turbulent, alive. It can't be pinned down and labeled. Rush does not dissect technical aspects of Vodun, but rather delves into diverse, clearly presented stories (technically "case studies." but these are not dry field reports) that each illuminate history and living experiences of Vodou. She shows that Vodou is imbedded and enmeshed with everyday life, that it sheds light on and proposes solutions for emotional, psychological, spiritual, and cultural issues; often showing people how their problem (and the solution) is connected to greater issues, and that personal transformation and cultural transformation are intertwined. Sometimes that transformation is to delve deep into tradition, sometimes it is to find new paths. Vodou does both, and Rush takes us along to experience as much as it is possible to experience through a written text.
While West African Vodun is different in many ways from "New World" Vodou, I think this book is relevant and insightful regardless of which tradition you practice or study. I think it would be a great resource for anyone interested in Africa or any religion. The approach this book uses is also worth examining for any writers and teachers of culture and religion.
1 of 1 people found the following review helpful.
An amazing amount of research went into this book
By M. T.
An amazing amount of research went into this book. I wanted to understand the roots of the Haitian Vodou religion and see how African Vodun keeps going strong while drawing from other traditions today. Most of my answers were found in Ms. Rush's masterpiece. I have my own belief that "everything is vodun," a belief that many Béninois share and show by their openness and inclusion of Hindu gods in their religion.
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