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Richard Hooker (1554-1600) is arguably the closest counterpart in the English Reformation to Luther and Calvin. The premier theologian of the Church of England, he is famed for his prophetic apologia of what would later be called "Anglicanism" in his "Of the Laws of Ecclesiastical Polity". To this day, Hooker's advocacy of a tolerant, inclusive, moderate, even pragmatic middle way between fundamentalist Protestantism and the more rigid expressions of Roman Catholicism is a hallmark of Anglican and Episcopal churches. Here, the story of Hooker's life is woven into a narrative that incorporates the well-known events and famous persons of the Elizabethan era.

• Sales Rank: #166754 in Books
• Published on: 2002-07-04
• Ingredients: Example Ingredients
• Number of items: 1
• Binding: Paperback
• 373 pages

Review
"A splendid new biography . . . [Dr. Secor] has read widely and well in the relevant sources , , , and has deployed the material available in new and insightful ways. Hooker rises up, miraculously reborn for our century, from the pages of this biography . . . rediscovered for our century" W. Speed Hill, general editor, "The Folger Library Edition of the Works of Richard Hooker." 7 volumes. 1977-1998 -- pre-publication review

"Dr. Secor's work will encourage those who look for a common ecclesia identity to go back and read again the works of Richard Hooker." The Revd. David Stancliffe, Bishop of Salisbury (England) -- pre-publication review

"In a balanced presentation we meet Hooker the man, Hooker the theologian, and Hooker the author of ecclesiology. Secor's text is smooth and inviting; his admiration for his subject does not cloud his judgement--rather it testifies to the compelling qualities of Hooker's thought and piety. One comes away grateful for Dr. Secor's efforts and insights." The Revd. Paul V. Marshall, Bishop of the Episcopal Diocese of Bethlehem, PA -- pre-publication review

About the Author
Philip Secor, one of the leading authorities on Hooker's life and thought, is the author of this acclaimed biography of Hooker as well as of two modern edtions of Hooker's most important writings.

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A unique and illuminating overview of the traditions of Southern fiddling, covering the key performers and compositions that defined that genre during its golden age--from the 1920s to the 1950s--and that continue to influence popular music today.

It was called "the devil's box" because the instrument was thought to be sinful to play. Yet in spite of (or perhaps partially because of) that stigma, the fiddle has long been one of America's favorite instruments.

Easily portable, stylistically versatile, and possessing an enchanting timbre, it accompanied the European settlers across America. In the 1800s, the fiddle entertained on the battlefield and on the campaign trail. When country music made its first appearance on records in the 1920s, fiddlers called the tune. To this day, the fiddle remains a distinctive element of country music, and fiddlers like Alison Krauss and Mark O'Connor are among the music's biggest stars and most innovative artists.

The key players and favorite tunes in the commercial emergence of Southern fiddling in the first half of the twentieth century are the focus of this lucid and engaging study. Among the lively portraits that emerge in The Devil's Box are those of:

Eck Robertson, the audacious Texas fiddler who jump-started the country music recording industry in 1922 by showing up unannounced at the studios of Victor Records and demanding to be recorded;
Uncle Jimmy Thompson, the feisty, white-bearded, rural fiddler whose appearance on radio station WSM in Nashville inaugurated the Grand Ole Opry;
Clayton McMichen, the dazzlingly talented but disgruntled fiddler's fiddler who preferred jazz to country music and who could never live down his early years in country music's first supergroup, the Skillet Lickers; and
Bob Wills, who popularized western swing by combining fiddle music with the sounds of big band swing and who never abandoned the fiddle music of his youth, even after dance music became far more lucrative.

Elsewhere, Wolfe discusses the background of such famous fiddle tunes as "Black Mountain Rag" and "Over the Waves," tracing their meandering and curious paths to widespread popularity, and explains how Stephen Vincent Benet's 1925 classic poem "The Mountain Whippoorwill" was inspired by country fiddler Lowe Stokes winning an Atlanta fiddle contest in 1924.

Drawing on such seldom-tapped resources as small regional newspapers, personal correspondence, and rare interviews with the fiddlers themselves as well as their families, Wolfe conjures up vivid portraits of the individuals who fashioned this distinctly American music. Along the way, he places the fiddlers and their music in a rich historical context, illuminating the threads that connect country music to blues, jazz, folk, and classical music--and, indeed, to the history of America itself.

Co-published with the Country Music Foundation Press

• Sales Rank: #1098079 in Books
• Published on: 1997-04-30
• Released on: 2006-12-22
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 6.25" w x .75" l, .90 pounds
• Binding: Paperback
• 256 pages

From Library Journal
In this example of the bounty of country music history stemming from the Country Music Foundation/Vanderbilt University alliance, Wolfe (The Life and Legend of Leadbelly, LJ 11/15/92) concentrates on Southern fiddling in the years 1925-55, paying particular attention to early recordings by fabled old-timers. After a sparkling foreword by Mark O'Connor, the Texan fiddler whose playing strikes chills down the spine, Wolfe sets the stage with brief discussions on why the fiddle was called "the devil's box" in the South, the kinds of fiddles one found among the folk, and the popularity of fiddling contests. Wolfe's well-documented research compels the reader to salute the study of country music as a valid endeavor for scholarly contributions. Recommended for collections on American music in public and academic libraries.?Kathleen Sparkman, Baylor Univ., Waco, Tex.
Copyright 1997 Reed Business Information, Inc.

From Kirkus Reviews
Knowledgeable but occasionally arcane collection of essays celebrating the Golden Age of ``old-time'' southern fiddling (192555). Old-time fiddling has an honored place in American culture and history: The industrialist Henry Ford recognized this and marshaled his resources to spark a revival of the art and to promote traditional values. Wolfe (coauthor, The Life and Legend of Leadbelly, 1992) originally published most of these essays in The Devil's Box, a magazine about old-time fiddling. (The fiddle was sometimes called the devil's box, Wolfe notes, ``because some thought it was sinful to play one.'') Like the magazine, this book caters to those with a substantial interest and knowledge in the field. Most of the essays take a scholarly approach to such things as discographies of unreleased ``sides'' by classic fiddlers or resolving the composition credit for ``The Black Mountain Rag.'' Those already familiar with fiddling giants such as Eck Robertson, Uncle Jimmy Thompson, Fiddlin' Powers, Doc Roberts, Clayton McMichen, Bob Wills, and Arthur Smith will find the level of detail satisfying; others, especially nonfiddlers, may feel awash in facts. However, there are revealing anecdotes throughout: Arthur Smith, for instance, once showed up for a photo session for the Grand Ole Opry in a suit and was forced to change into rural clothes (a more appropriate look, it was thought, for a country musician) and pose in a pigpen. The idiosyncratic Smith also once dynamited a fishing hole to guarantee himself a good catch. The great Clark Kessinger learned a few chops from the classical violinist Szigeti. Fiddling contests, the history of the Opry, and the early days of recorded country music are well covered. The collection provides a valuable storehouse of fiddling history, but copious research is generally undistilled. Not for the layperson. (13 b&w photos, not seen) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.

Review
A marvelous overview of this impish instrument's journey from 19th-century folk traditions to modern country music, told through the stories of individual fiddlers. . . . Wolfe tells these stories in a lively style that never overacademizes his subjects.
--Nashville Banner

There is a wealth of new information between these covers. Wolfe lays the groundwork for understanding the fiddlers in a very human context. He provides a sense of their world. This in turn provides insights into how their works and times have shaped the current scene.
--Fiddler Magazine

A valuable storehouse of fiddling history.
--Kirkus Reviews

Each chapter includes not only information on the musicians but fascinating detail on the record companies, music festivals, radio shows, other performers, geographical variations, and the general context of country music.
--Choice

Wolfe's well-documented research compels the reader to salute the study of country music as a valid endeavor for scholarly contributions. Recommended for collections on American music in public and academic libraries.
--Library Journal

Most helpful customer reviews

4 of 4 people found the following review helpful.
Give Charles Wolfe a Dram
By grasshopper4
Charles Wolfe's book will appeal to fiddlers, fans of old-time and country music, and music historians. Mark O'Connor's introduction provides an interesting contemporary perspective on the old-time music, and each chapter is a historical sketch of an important fiddler. When read as a whole, the book provides a good social history of fiddling and fiddlers from the South. I especially like the articles on the obscure but really important musicians, but the articles on fiddlers like Eck Robertson and Bob Wills are also great reading. The book is written in an enjoyable style, and Wolfe's knowledge of fiddling and music history is incredible.

6 of 6 people found the following review helpful.
Good research and writing by one of the best in this field.
By A Customer
Well-written, well-researched accounts of
fiddlers whose time has passed but whose
reputations as masters of the instrument
grow with time. A bonus is Wolfe's research
on many early recordings of these musicians
and how they came to be.
Highly recommended for anyone remotely interested
in the subject. This author knows his subject. I
went looking for CD samples of their
music, which wasn't easy to find but was
worth the effort.
Jim Travis, Nashville

See all 2 customer reviews...

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Exploring the Yoruba tradition in the United States, Hucks begins with the story of Nana Oseijeman Adefunmi's personal search for identity and meaning as a young man in Detroit in the 1930s and 1940s. She traces his development as an artist, religious leader, and founder of several African-influenced religio-cultural projects in Harlem and later in the South. Adefunmi was part of a generation of young migrants attracted to the bohemian lifestyle of New York City and the black nationalist fervor of Harlem. Cofounding Shango Temple in 1959, Yoruba Temple in 1960, and Oyotunji African Village in 1970, Adefunmi and other African Americans in that period renamed themselves "Yorubas" and engaged in the task of transforming Cuban Santería into a new religious expression that satisfied their racial and nationalist leanings and eventually helped to place African Americans on a global religious schema alongside other Yoruba practitioners in Africa and the diaspora.

Alongside the story of Adefunmi, Hucks weaves historical and sociological analyses of the relationship between black cultural nationalism and reinterpretations of the meaning of Africa from within the African American community.

• Sales Rank: #1592675 in Books
• Published on: 2014-03-15
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x 1.06" w x 5.98" l, 1.52 pounds
• Binding: Paperback
• 472 pages

Review

"A mature and brilliant study that provides the basis for theory and method for the study of religions of African derivation in the New World."--Charles Long, professor emeritus, Department of Religious Studies, University of California, Santa Barbara, and series editor, Religions of the Americas Series

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"An invaluable contribution to scholarship of the Oyotunji community, to scholarship of African American religion, and to scholarship of the phenomenon of American religion more generally. Hucks ably relates a history that is central to an appreciation of the roots and varieties of contemporary African American religiosity."--Rachel Harding, Department of Ethnic Studies, University of Colorado, Denver

From the Inside Flap
Alongside the story of Nana Oseijeman Adefunmi's development as an artist, religious leader, and founder of several African-influenced religio-cultural projects, Hucks weaves historical and sociological analyses of the relationship between black cultural nationalism and reinterpretations of the meaning of Africa from within the African American community.

About the Author

Tracey E. Hucks is chair of the Department of Religion at Haverford College. Her scholarly interests are in the historical development of African-descended populations and their religious traditions in the Americas and Caribbean.

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• Sales Rank: #7910155 in Books
• Brand: Brand: Amer Technical Pub
• Published on: 1989-06
• Original language: English
• Binding: Paperback

Features

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Exorcising Preaching delivers an urgent call to expel unhealthy practices from sermons, liberating the preacher and the people. Nathan C. Walker reflects on ways to replace harmful habits with healing disciplines that reawaken the craft of preaching.

Exorcising Preaching is a result of the lessons Walker and his congregation learned during his seven-year tenure as senior minister and executive director of the First Unitarian Church of Philadelphia. The final chapter invites preachers to submit their own exercises to exorcisingpreaching.com. Preachers are encouraged to listen diligently for new ways to exorcise harmful practices and to systematize exercises that enhance the craft of preaching. Enter into collegial dialogue and experience a truth that "all of us are smarter than any one of us."

• Sales Rank: #1520019 in Books
• Published on: 2014-11-25
• Released on: 2014-11-25
• Original language: English
• Number of items: 1
• Dimensions: 8.30" h x .38" w x 6.36" l, .55 pounds
• Binding: Paperback
• 176 pages

Review
"These poignant and transparent wrestlings of a young preacher in the early 21st century suggest that preaching is not a dying privilege, but a powerful and democratic engagement with truthfulness, an art form still emerging in our days." - Rev. Dr. Mark Belletini, Senior Minister, First Unitarian Universalist Church of Columbus, Ohio

"In the tradition of Emerson's Divinity School Address, Nate Walker's Exorcising Preaching is not so much a how-to manual as it is an urgent manifesto, a passionate call for preachers to rid themselves of cant, cliché, complacency, and all that separates them from their audience (the congregation) and their subject (the Sacred)." - Rev. Dr. Robert Hardies, Senior Minister, All Souls Church, Unitarian, Washington, D.C

"Nate Walker is boldly creative--a visionary, on-the-edge kind of thinker. This book made me rethink preaching's role today for contemporary worshipers."- Rev. Meg Riley, Senior Minister, Church of the Larger Fellowship

"It's tough to preach a great sermon. But Nate Walker is an inspiring coach." - Rev. Dr. William F. Schulz, President and CEO of the Unitarian Universalist Service Committee and Former President, Unitarian Universalist Association

"Nate Walker pokes and prods all of us to whom a pulpit has been entrusted, exhorting us to embrace vigorously our special responsibility. Like his ministry and his activism, his suggestions are bold, creative and provocative, focused powerfully on a witness of liberation." - Reverend Burns Stanfield, Pastor, Fourth Presbyterian Church, South Boston;Instructor at Harvard Divinity School

About the Author

Nathan C. Walker is a Unitarian Universalist minister whose preaching has received international attention. Walker's sermons and research on religious freedom as a fundamental human right were presented at the United Nations in Geneva, Switzerland. His sermon on the intersection of religion and politics became the basis for Whose God Rules? Is the United States a Secular Nation or a Theolegal Democracy? (Palgrave Macmillan 2011). Tony Blair wrote the foreword, and Dr. Cornel West referred to the book as "provocative and pioneering."

As a preacher committed to address the moral issues of our time, Walker created a sermon on the ethics of biotechnology that resulted in a yearlong dialogue with executives at Monsanto. In 2009 he delivered the John Murray Distinguished Lecture, which recounted his successful mediation between members of a controversial punk band, local skinheads, and Department of Homeland Security officials.

Walker served as a resident fellow at Harvard Divinity School and received his Master of Divinity degree from Union Theological Seminary in New York. He is currently completing his doctorate in law, education, and religion at Teachers College Columbia University, where he received his Master of Arts and Master of Education degrees in higher education administration and finance. He currently teaches in the Department of Philosophy and Religion at Rowan University, and in June 2014, he joined the Religious Freedom Center of the Newseum Institute in Washington, D.C., as Strategy and Development Consultant.

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> Fee Download Living the Kabbalah: A Guide to the Sabbath and Festivals in the Lurianic Tradition, by Simcha Benyosef

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A guide to the Sabbath and Jewish Holy Days based on the teachings of Rabbi Rafael Moshe Luria, a modern master of the Kabbalah and a direct descendant of the great 16th-century Kabbalist, R. Isaac Luria.

• Sales Rank: #3459326 in Books
• Brand: Brand: Bloomsbury Academic
• Published on: 1999-06-01
• Original language: English
• Number of items: 1
• Dimensions: 9.82" h x 1.14" w x 7.36" l, 1.42 pounds
• Binding: Hardcover
• 240 pages

Features

• Used Book in Good Condition

From Library Journal
Two rabbis, a world apart (Benyosef in Jerusalem, Wolf in Australia), take quite different approaches to bringing the Kabbalah to modern readers. Kabbalah, a set of ancient mystic Jewish teachings, dates from ancient times but reached its flowering in 18th-century central Europe. Over the centuries, there have been many great teachers of Kabbalah. Benyosef bases his teachings on those of Rafael Moshe Luria, a modern master of Kabbalah and a direct descendant of the famous 16th-century Kabbalist R. Isaac Luria. Benyosef guides the reader through the holidays and festivals of the Jewish year and shows how these events can be celebrated and understood via concepts developed by Moshe Luria. The text will speak to those already familiar with the Kabbalah and who wish to contrast the Lurian approach with that of other Kabbalists. Beginners will find the text rough going. In contrast, Wolf (who bases his teachings on those of the late Lubavicher Rebbe Schneerson) shows how the Kabbalah fits into other mystic traditions such as Zen Buddhism and Hinduism. Using meditation exercises, Wolf, who is also a psychologist, hopes to bring the reader to inner peace and spiritual communion with God. Recommended for larger religion or Judaica collections.AOlga B. Wise, Compaq Computers Inc., Austin, TX
Copyright 1999 Reed Business Information, Inc.

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9 of 11 people found the following review helpful.
a beautifull path to the love of Life Through God's love
By raephsanderson@taconic.net
This book has changed the way I look and feel about life.It is a love affair with God pursued through the traditions of the Jews.The mixture of knowledge,respect and awe that comes through the pages weds the reader to a powerfull process of living.I am a Christian by upbringing and this book has given me a new basis for my beliefs and day to day life.I hope I can remember and pursue it's teachings.I feel that for any person who is interested in the religious way of life this book is a wonderfull opportunity.

1 of 2 people found the following review helpful.
Very disappointing
By Chava Leah
Sorry to say, nothing like Ari HaKodesh or Chaim Vital's writings, translations of the Holy Ari.(Isaac Luria) That is what I was expecting and why I bought this book. Very disappointing to say the least.

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• Sales Rank: #5059505 in Books
• Published on: 1994-01-01
• Original language: English
• Number of items: 1
• Dimensions: .64" h x 6.34" w x 9.27" l, .95 pounds
• Binding: Paperback
• 272 pages

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