Jumat, 18 Juli 2014

** PDF Ebook Prose Essays Poems: Gottfried Benn (German Library), by Gottfried Benn

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Prose Essays Poems: Gottfried Benn (German Library), by Gottfried Benn

  • Sales Rank: #2516542 in Books
  • Brand: Brand: Continuum
  • Published on: 1987-07-01
  • Released on: 1987-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .75" w x 5.50" l, .80 pounds
  • Binding: Paperback
  • 298 pages
Features
  • Used Book in Good Condition

Language Notes
Text: English, German (translation)

About the Author

Volkmar Sander is general editor of the German Library in 100 Volumes. Formerly Erich Maria Remarque Professor of German and director/founder of the Deutsches Haus at New York University, Sander now lives with his wife, Margret Sander, in Germany.

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** Get Free Ebook The Slaw and the Slow Cooked: Culture and Barbecue in the Mid-SouthFrom Vanderbilt University Press

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Texas has its barbecue tradition, and a library of books to go with it. Same with the Carolinas. The mid-South, however, is a region with as many opinions as styles of cooking. In The Slaw and the Slow Cooked, editors James Veteto and Edward Maclin seek to right a wrong--namely, a deeper understanding of the larger experience of barbecue in this legendary American culinary territory.


In developing the book, Veteto and Maclin cast a wide net for divergent approaches. Food writer John Edge introduces us to Jones Bar-B-Q Diner in Marianna, Arkansas, a possibly century-old restaurant serving top-notch pork and simultaneously challenging race and class boundaries. Kristen Bradley-Shurtz explores the 150-plus-year tradition of the St. Patrick's Irish Picnic in McEwen, Tennessee. And no barbecue book would be complete without an insider's story, provided here by Jonathan Deutsch's "embedded" reporting inside a competitive barbecue team. Veteto and Maclin conclude with a glimpse into the future of barbecue culture: online, in the smoker, and fresh from the farm.


The Slaw and the Slow Cooked stands as a challenge to barbecue aficionados and a statement on the Mid-South's important place at the table. Intended for food lovers, anthropologists, and sociologists alike, The Slaw and the Slow Cooked demonstrates barbecue's status as a common language of the South.

  • Sales Rank: #1191103 in Books
  • Published on: 2012-01-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.80" h x .80" w x 5.90" l, .75 pounds
  • Binding: Paperback
  • 232 pages

Review
"A fascinating collection of essays about the importance of barbecue to the identity and culture of the mid-south region."
--OKRA



"The Slaw and the Slow-Cooked has far wider relevance than the Mid-South of its subtitle. Its contributors examine many aspects of America's oldest Slow Food, from its primeval origins into the age of Twitter and Facebook. They treat their savory subject seriously, but not (thank the Lord) solemnly. You don't have to be a barbecue nut to enjoy this book, but if you are one, you'll be in hog heaven."
--John Shelton Reed, co-author, Holy Smoke: The Big Book of North Carolina Barbecue

"A rich and informative window on Mid-South barbecue."
--Andrew Warnes, author of Savage Barbecue

From the Inside Flap
The world of barbecue in the Mid-South

About the Author
James R. Veteto is Assistant Professor of Anthropology at the University of North Texas. He is Director of the Southern Seed Legacy.

Edward M. Maclin is a Ph.D. candidate at the University of Georgia.

Most helpful customer reviews

0 of 0 people found the following review helpful.
very good
By Patricia Bomba
this book has a good selection of Bar B Cue places and I especially wanted it because one of our friends wrote a chapter on the Irish PicNic in McEwen Tn every year

0 of 0 people found the following review helpful.
Bought it for class, and kept it
By Caitlin Brackett
I bought this book for a food study class, and really just feel in love with the ideas and concepts that it works off of. Worth buying!

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Kamis, 17 Juli 2014

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Here is a unique book devoted entirely to equine safety issues for horsemen from all disciplines. A well-illustrated, thoughtful and practical approach that covers everyday circumstances encountered by all students and instructors - beginners and experienced riders - from restraining, catching and leading, stall and paddock etiquette, to tacking up and trailering.

  • Sales Rank: #1580601 in Books
  • Brand: Brand: Cengage Learning
  • Published on: 1997-10-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .32" w x 7.36" l, .57 pounds
  • Binding: Paperback
  • 144 pages
Features
  • Used Book in Good Condition

Review
The Basics Of Groundwork. Basic Restraints. Catching, Leading and Tieing. Stalls and Paddocks. Lungeing and Ground Driving. Tack. Trailering. Index

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Senin, 14 Juli 2014

^ Free PDF How Rabbit Lost His Tail: A Traditional Cherokee Legend (Grandmother Stories), by Deborah L. Duvall

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Rabbit, whose Cherokee name is Ji-Stu, is known far and wide for his splendid tail. Long and bushy, and covered with thick, silky fur, he likes to show his tail off at the dances. All the girl animals want to dance with Ji-Stu because of his beautiful tail. But one night Otter comes to the dance, and both Ji-Stu and his tail are quickly forgotten when the girls see Otter's magnificent coat.

Impressed by Otter, all the animals plan a council to decide who, of all the animals in the forest, owns the most beautiful coat. Now Ji-Stu must find a way to trick Otter out of his coat in time to win the contest, but in the process the trickster rabbit loses much more than he bargains for.

Deborah L. Duvall and Murv Jacob also collaborated on The Great Ball Game of the Birds and Animals and How Medicine Came to the People (UNM Press). Duvall is the author of several books on Cherokee history and legend. Jacob, a descendant of Kentucky Cherokees, is an internationally known artist and pipemaker who has also worked on over 70 book and video projects. Jacob won the 2003 Oklahoma Book Award in the Design and Illustration category for his drawings in The Great Ball Game of the Birds and Animals.


All ages.

  • Sales Rank: #1652620 in Books
  • Brand: Brand: University of New Mexico Press
  • Published on: 2003-09-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.26" h x .43" w x 8.92" l, 1.03 pounds
  • Binding: Hardcover
  • 32 pages
Features
  • Used Book in Good Condition

Review
"The story is propelled forward not only by the action but by the emotions of the animal characters: readers will understand the rabbit's pride, his envy, and his desire to win, even as they recognize that his deception cannot possibly succeed. . . . Folkloric justice reigns here, and in the end, all is as it should be."

." . .an appealing story of trickster Rabbit."

"The story is sweet with an encouraging message, and the pen-and-ink illustrations by Duvall's partner, Murv Jacob, are richly detailed yet playful. "How Rabbit Lost His Tail" is a delightful book for children of all ages."

"This is a delightful retelling of a Cherokee legend explaining how the rabbit lost his long, luxurious tail and how the otter became sleek and learned to love swimming. It also teaches valuable lessons about pride, deceit, and justice. The story is told in language simple enough for young independent readers, but would make an entertaining read aloud as well. The beautifully detailed black-and-white illustrations capture the essence of the story and set the scene for the traditional tale."

From the Publisher
In this, the third volume of the Grandmother Stories, Rabbit, whose Cherokee name is Ji-Stu, loses his long tail which is covered with thick, silky fur.

From the Inside Flap
In this, the third volume of the Grandmother Stories, Rabbit, whose Cherokee name is Ji-Stu, loses his long tail which is covered with thick, silky fur.

Most helpful customer reviews

4 of 4 people found the following review helpful.
From Cherokee Author Robert J. Conley
By A Customer
Deborah Duvall and Murv Jacob have brought the old Cherokee animal tales back to life with their How Rabbit Lost His Tail and their other titles in this series from the University of New Mexico Press. The old tales, recorded previously in mostly pedantic prose for dusty scholars to peruse, have been rewritten by Duvall in lively and very readable English for young readers and old alike, and they are lavishly illustrated by Jacob. The tales involve Ji-Stu, Rabbit, the Cherokee Trickster, who embodies all the characteristics of man: pride, arrogance, greed, deceit ("The path to the dance grounds followed the river that ran through the Cherokee lands. In some places where the river curved, the water formed deep pools that reflected the river bank above. Each time he passed such a pool, Ji-Stu stopped just long enough to look at his reflection, for he was very proud.") He even occasionally shows courage.
You can't go wrong in picking up How Rabbit Lost His Tail or any of the other beautifully illustrated books in this series, for you will enjoy them, your children will marvel at them, and you may even learn something about Cherokee culture or about human behavior from reading them. (...)

1 of 1 people found the following review helpful.
How Rabbit Lost His Tail
By Eileen Chapman, Kids Connection
My third-grader has collected all the Grandmother Stories created by Deborah L. Duvall and Murv Jacob so far, and this is her favorite! Ji-Stu the Rabbit lives up to his reputation as the Cherokee trickster in grand style as he figures out a way to steal Otter's fabulous shiny coat. It will go especially well with Ji-Stu's long, fluffy tail, illustrated to perfection with Jacob's pen. The drawings are rich and delicious, capturing Ji-Stu's unforgettable expressions for us all to enjoy. Jacob's artistry is not limited to the interior. Both the dust jacket and the end pages are generously covered with his fascinating look at the animals of Cherokee legend. As with many Cherokee stories, this one explains in a very entertaining manner how the rabbit now owns only a little tuft of a tail, and it teaches us the importance of being satisfied with ourselves as we allow others to shine in their own light.

1 of 1 people found the following review helpful.
From the Journal of Assn. for Childhood Educ. Int'l
By D.L. Duvall
This review by Melanie Tait appeared in the Spring, 2005 issue of the Journal of the Association for Childhood Education International: This is a delightful retelling of a Cherokee legend explaining how the rabbit lost his long, luxurious tail and how the otter learned to love swimming. It also teaches valuable lessons about pride, deceit and justice. The story is told in language simple enough for young independent readers, but would make an entertaining read aloud as well. The beautifully detailed black-and-white illustrations capture the essence of the story and set the scene for the traditional tale. Even the cover background and endpapers are intriguing. This book would be of particular interest to young people learning about or celebrating Native American cultures. Ages 6-12.

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Minggu, 13 Juli 2014

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The Literature of Destruction: Jewish Responses to Catastrophe, by David G. Roskies

David Roskies, in one hundred powerful selections, presents the two-thousand year history of Jewish responses to castastrophe. The cyclical nature of violent regimes and their overthrow is delineated in these recurring images of sin, martyrdom, and retribution that have sustained the Jewish people despite pogroms, massacres, and expulsions -- from the destruction of the First Temple through the Holocaust to the eventual return to their homeland.

  • Sales Rank: #2261910 in Books
  • Brand: Brand: Jewish Pubn Society
  • Published on: 1989-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.25" h x 7.25" w x 2.00" l,
  • Binding: Hardcover
  • 652 pages
Features
  • Used Book in Good Condition

From Library Journal
Editor Roskies, author of Against the Apocalypse (Harvard Univ. Pr., 1986), here presents a massive anthology of Jewish literary responses to catastrophe and persecutions from the Bible to the post-World War II era. In both the general introduction and specific introductions to each of the 20 historical periods, he clearly and succinctly explains the reason for the inclusion of each document, its place in the literary or historical tradition, and, where necessary, its relation to world literature. The anthology includes 100 documents, some appearing for the first time in English. Included are short stories, three novellas, poetry, sermons, chronicles, memoirs, and works set to music. Highly recommended.
- Maurice Tuchman, Hebrew Coll. Lib., Brookline, Mass.
Copyright 1989 Reed Business Information, Inc.

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* Download PDF Rabbit and the Well, by Deborah L. Duvall

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Rabbit and the Well, by Deborah L. Duvall

Rabbit and the Well, by Deborah L. Duvall



Rabbit and the Well, by Deborah L. Duvall

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Rabbit and the Well, by Deborah L. Duvall

In Ji-Stu the Rabbit's forest, the rain has stopped falling and the river is drying up. Soon the forest creatures will have no water to drink. One day Ji-Stu has an idea: there's plenty of water deep in the ground. What the animals need is a well!

All his neighbors agree, and they begin at once to dig a well. Everyone, that is, except Ji-Stu the Rabbit! He spends his time relaxing while the others work day after day digging the well. After all, it was his idea to dig the well in the first place!

At last the well diggers reach cold, clear water. Ji-Stu wants to join in the celebration and refill his empty water pots, but quickly learns that he is not welcome at the well. Because he refused to help, he shall have none of the precious water. But the trickster rabbit has plans of his own to get all the water he needs--for free!

  • Sales Rank: #1957998 in Books
  • Brand: Brand: University of New Mexico Press
  • Published on: 2008-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.23" h x .42" w x 8.69" l, .96 pounds
  • Binding: Hardcover
  • 32 pages
Features
  • Used Book in Good Condition

From the Inside Flap
Ji-Stu the Rabbit thinks he's very clever but discovers he has outsmarted himself.

About the Author
Deborah L. Duvall is an author of books and short stories on Cherokee history and tradition, a singer-songwriter, and a professional in financial management. She was born and continues to live in Tahlequah, Oklahoma, capital of the Cherokee Nation.

Murv Jacob, a descendant of Kentucky Cherokees, is an internationally known artist whose illustrations appear in over seventy book and video projects. He won the 2003 Oklahoma Book Award for Design and Illustration for his drawings in The Great Ball Game of the Birds and Animals.

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0 of 0 people found the following review helpful.
Utterly delightful!
By Tsiquaya
"Rabbit and the Well" is an authentic treasure of a book in voice and in art. Cherokee author, Deborah L. Duvall, is storyteller who captures both the delightful wit and the deep humanity of Cherokee legends in ethos as well as style. The illustrations are divinely, sublimely Cherokee, mysterious and humorous at once. I've spent more hours with this little book on my lap than I did with "Moby Dick." "Rabbit and the Well" is recommended for all kids and growups, too.

0 of 0 people found the following review helpful.
Another great story about Ji Stu the Rabbit
By India Jane McCorkle
We wanted to give it 4 and a half stars. A good story about Ji Stu and his adventures. The lesson is that you should help your friends and not be a lazy rabbit. A good thing that Ji Stu had a friend in Otter or he would still be stuck to the tarbaby.

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Sabtu, 12 Juli 2014

~ PDF Ebook Philosophy of Modern Music (Philosophy of Modern Music Ppr), by Theodor W. Adorno

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Philosophy of Modern Music (Philosophy of Modern Music Ppr), by Theodor W. Adorno

A landmark work from the founder of the Frankfurt School. A key work in the study of Adorno, of interest to students and general readers alike.

  • Sales Rank: #3620249 in Books
  • Brand: Brand: Continuum Intl Pub Group (Sd)
  • Published on: 1980-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 5.50" w x .75" l,
  • Binding: Paperback
Features
  • Used Book in Good Condition

Review
"[Adorno's] interest in Schoenberg and Benjamin was combined in his best known and most influential book...which set out to do for contemporary music what Benjamin had done for seventeenth-century German tragedy."

Language Notes
Text: English, German (translation)

About the Author
Theodor W. Adorno (1903-1969) was a student of philosophy, musicology, psychology, and sociology at Frankfurt where he later became Professor of Philosophy and Sociology and Co-Director of the Frankfurt School. During the war years he lived in Oxford, in New York, and in Los Angeles, continuing to produce numerous books on music, literature, and culture.

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15 of 22 people found the following review helpful.
Still a nourishing display of conceptual power.
By Rachel Abbinanti (tusai1@aol.com)
Although out-of-print this is an event in the history of music comparable to primary musical works.It had to be Theodor Adorno a consummate intellect that created a new mode of contemplating contemporary art, music simply being the realm he knew more intimately,literature a close second. His prolific student from the late Fifties, Jurgen Habermas once said of Adorno, that he created theory spontaneously, simply within the course of a discussion, adept at synthesizing his thoughts as he spoke. But Adorno's importance for contemporary expression was assured,in that Adorno brought the complexity of philosophic,social and political thought to music. Something hardly done prior, and is only now within the past ten years beginning to be realized. See numerous studies on Adorno and his approach to speaking about music. To read the "Philosophy of Modern Music" is to understand Adorno's departures for his thought is the most exposed. Written in short cursive, aphorisitic-like paragraphs, almost approaching a sketch of a thought is to reveal a complexity, but one which engages his subject. The two polar opposites here are composers, Arnold Schoenberg(representing the progressive elements in music), and Igor Stravinsky(representing the backward-looking retrogressive elements). Adorno had considered the private artist working in seclusion as the highest form of rebellion, of subversion, for Adorno had contempt for the marketplace and how that magnetized and transformed art. Something of the market, in the late Forties was prevalent in jazz and film. Had Adorno lived into the age of computers and simulation,he would have seen to full extent how his thought has been realized in ever purified forms. Adorno thought Schoenberg's discovery of the 12-Tone dodecaphonic compositional method as a sign of progress. 12-Tone in a profound way was a synthesis, a conduit of the theoretical advancements of the history of music.It was both a beginning and an endpoint. But Schoenberg's method, althought quite new and unfinished allowed for all the parameters of music to be defined and developed, "Total Organization of the Elements of Music" is one paragraph here or section, "Differetiation and Coarseness" yet another referring to thinking about sound, as a sculptor would of his/her materials, shapting them, giving them form and direction. Stravinsky contrarywise indulged in looking backward, at the folksongs of his native Russia for music materials to be manipulated and the projection of sound without its deep attenuation. A view that is subjective now in retrospect,for Stravinsky was a grand orchestrator and a craftsman. But in Stravinsky, in particular his early period of the marvelously powerful ballet music, sound is pulverized,and is forced into suppressed forms,usually ashifting alternating suite of pieces,refocusing our short attention spans as required and, all in the projection of an image, a screeen for which the ballet takes place. But Adorno had takened issue with Stravinsky's subject matter as well as his technical means, a puppet in "Petrouska" one given over to a master without hope nor recourse.Likewise the "Rite of Spring" a virgin is simply sacrificed without recourse and we have the human image portraying the inevitability of natural forces, something Europe was about to experience first hand with the rise of fascism. These sections here are "Depersonalization" and "Fetishism of Means", explains Stravinsky's creativity stepping backwards within himself. In "Modes of Listening" Adorno refers to the "Shock" value that pummels the listener and the degradation of hearing into a music you merely submit to, whereas in Schoenberg there is more a sense of give and take,of the music allowing contemplative time. Again to my mind this is all relative, for these festures I find in both composers oeuvre. Still I find a conceptual power in Adorno,one that still nourishes today in the mileau of after-postmodernity.

1 of 1 people found the following review helpful.
Once the only translation; since then has been superceded.
By Bob G.
The newer translation by Robert Hullot-Kentor is more comprehensible (to a non-German speaker) than this version. This was the only widely-available translation until recently.

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